New Orleans History

 

1929 New Basin Canal
Well into the 20th century schooners brought lumber, watermelons, charcoal, sand, and bricks from across Lake Pontchartrain into the heart of New Orleans by way of the New Basin Canal. Dug by hand, between 1831 and 1835, through the swamps that lay back of the city, the canal was sixty feet wide and six feet deep and almost seven miles long. Now filled and part of the Interstate Highway I-10, less than half a mile remains uncovered at the lake end, where a Coast Guard station stands on one side and Southern Yacht Club on the other. In this 1929 photograph provided by Albert McClsokey Browne, the schooners are lined up at the head of the canal, not far from the present day Union Station. Collection of Frank Gordon & Son New Orleans, Louisiana USA Source: http://www.bergeronstudio.com/fg01/p44.html

1929 New Basin Canal

1909 Poscard of the Terminal of the Old Basin Canal

1909 Poscard of the Terminal of the Old Basin Canal

 



 

1914 West End
Three well-dressed New Orleansians take their leisure at Lake Pontchartrain on a sultry Sunday afternoon just prior to the outbreak of World War I. In the background is the Southern Yacht Club, second oldest in the United States, having been founded in 1849. The buxom lass in the foreground probably made a pretty good crew member in a small sailboat in a stiff breeze - provided, of course, she didn't sit on the wrong side. The joli chapeau could be used to bail water. Photograph provided by J. Gilbert Scheib, SYC. Collection of Frank Gordon & Son New Orleans, Louisiana USA Source: http://www.bergeronstudio.com/fg01/p58.html

1914 West End


 

 

1900 West End at the New Basin Canal
New Basin Canal, ca. 1900. This view, taken from the Lake Pontchartrain entrance to the canal, shows several of the structures that comprised the West End resort. The lighthouse is still standing, but the larger buildings behind and to its right have long since disappeared. Source: http://nutrias.org/monthly/oct98/oct9810.htm

1900 West End at the New Basin Canal


 


1901 Postcard-Southern Yacht Club

Jazz: America's Music

Once again, the mix of people created something unique to the city of New Orleans. A new type of music inspired by the sounds of the world merged into America’s music: Jazz.

The story goes that there was a surplus of brass instruments in the city following the Civil War, along with immigrants and former slaves from all over the world. Because the city was multicultural, groups began to play together and brought together the sounds of their countries. African-Americans brought with them a beat and the blues, while European-Americans brought with them the horns of classical and their ethnic bands. Mix that with ragtime sounds of the western United States and a new sound emerged.

The trumpet player Buddy Bolden was credited with being the first jazz player. His great claim to fame was that he could play the trumpet loud and hard, and would often do so on the balcony of a local dance hall to lure patrons. People all over the French Quarter would follow the sound of Buddy Bolden’s trumpet to see what this new sound was all about. Unfortunately, Bolden suffered from severe mental illness and would spend most of his life in a mental hospital. There is only one known picture of Bolden and no recording of his work.

The first musician to write jazz down was Ferdinand “Jelly Roll” Morton. Morton was a piano player and a great showman, often bragging that it was he who invented jazz. Morton’s rolling piano style along with his swagger and self-confidence would grip audiences, especially customers of Storyville, the famed red light district of New Orleans. Storyville is often given credit with giving the name to jazz. It seems the women of the brothels, in an effort to counter the smells of the swampy city, would wear Jasmine perfume. When one left the company of the lady smelling of jasmine, one was said to be “jassed.” When musicians at the brothels would make their music sexy to inspire customers, they were said to have “jassed,” or sexed, up the music. Brothel owners would advertise their musicians with signs that would announce “Live Jass.” When mischievous children would come along and wipe off the “j,” owners decided to change the “s”’s to “z”’s in an effort not to offend people.

In July of 1900, a young man was born who would forever change the face of jazz. A young Louis Armstrong got his first trumpet while living in a waif’s home in New Orleans and playing with the home’s band. He learned to create sounds on the trumpet that no one else had been able to imitate. His music and singing brought sheer pleasure to all of those who heard it and continues to do so today. Louis Armstrong gave jazz its feel.

When the brothels were shut down in 1917, the hundreds of musicians who would play for tips began to look for new gigs outside of the city. They took the riverboats up north to Memphis, St. Louis, Chicago, and then headed east to New York. Jazz had now spread from its birthplace in New Orleans and is enjoyed all around the world.

Jazz is still alive and well in New Orleans. While many of the musicians are scattered around the country because of hurricane Katrina, many more have come back to their roots and are playing louder and better than ever. In the Faubourg Marigny just below the French Quarter, almost a dozen clubs are dedicated to jazz. Tippitinas and the Maple Leaf Bar in the uptown section host nightly bands. And Donna’s on Rampart Street is always alive with brass bands playing seven nights a week. As long as the city has its roots music—jazz—it will maintain its culture and its reputation as one of America’s great cities.

The Louisiana State Museum maintains a jazz museum at the Old U.S. Mint in the French Quarter. Their web site has a very complete history of jazz as well as photographs from their collection:
http://lsm.crt.state.la.us/collections/jazz.htm

For a great history of jazz before 1930 that includes audio clips, go to:
http://www.redhotjazz.com/

A jazz web site with history and definitions can be found at:
www.apassion4jazz.net/

A very good web site on jazz roots at:
www.jass.com/

A Brief History of New Orleans

In 1699, French explorers and brothers Pierre Le Moyne, Sieur d'Iberville and Jean-Baptiste Le Moyne, Sieur de Bienville found the mouth of the Mississippi River and established the first European settlement on the Gulf coast. Iberville was sure that the river was not navigable by tall ships, but brother Bienville continued to explore the river area with the help of the many native American tribes who were firmly established in the region. The native Americans showed Bienville a passage through Lake Borgne, Lake Pontchatrain, and Bayou Saint John to a patch of swampy land between the Mississippi River and Lake Pontchatrain. Bienville would establish the settlement of New Orleans, named after the Duc d’Orleans, on the high ground along the Mississippi.

A four-by-eleven block area was established on the bend of the river that became known as the Vieux Carre, old square, or French Quarter. It was anchored by a Catholic church on the river, St. Louis Cathedral; a government building, the Cabildo; a public square and military practice area, the place de arms, now known as Jackson Square; and shops and apartment buildings.

The people that inhabited early New Orleans came from many groups including Native American, French, African, and Caribbean islands. No group was dominant in the early days and there was a great mixing of the cultures. From this mixing came a unique culture that influenced food, music, architecture, and language. New Orleans became America’s most unique city with its multicultural influence and it joie de vivre (joy of life) attitude.

New Orleans was not without its problems, however. It was a difficult place to live with its swampy land, terrific heat and humidity. Mosquitoes plagued the residents with Yellow Fever and resulted in an unusually high death rate. New Orleanians were encouraged to join Benevolent Societies, where, aside from societal connections, they were assured a burial plot and a brass band to play at their funerals. Out of the sorrow of death came a proliferation of Jazz bands that began and flourished in the city.

Jim Crow laws of the south began to change New Orleans’ multicultural nature after the Civil War. African-Americans and Creoles, once a vibrant part of the city’s culture and social scene, were now excluded and marginalized in the city they helped found. A rare American city that started off with various ethnic groups for the most part getting along had become like most American cities in the 50s and 60s with racial tensions that occasionally broke out into riots. New Orleans remains a city of racial tension, but it seems to be put to the side at some of the great events such as Mardi Gras and the Jazz Festival, and at almost any event that involves food and jazz. Possibly, in the new New Orleans, people will find a way to get along and prosper together once again.

The largest collection of New Orleans history can be found at the Historic New Orleans Collection on Royal Street and their research center on Conti Street. The web site for the collection is:
http://www.hnoc.org/

A very good history of New Orleans and Louisiana can be found at the Louisiana State Museum at the Cabildo:
http://lsm.crt.state.la.us/cabildo/cabildo.htm

A brief New Orleans history:
www.gatewayno.com/history/histroy.html

"New Orleans", the companion site to the PBS American Experience program and covers history, food, music, and access to view the program online: http://www.pbs.org/wgbh/amex/neworleans/

The New Orleans Public Library has a searchable database of photographs:
http://nutrias.org/~nopl/photos/photolist.htm

The State of Louisiana searchable database of photographs and audio files:
http://louisdl.louislibraries.org/cdm4/search.php

A very interesting collection of old photographs along with some history:
www.stphilipneri.org/teacher/pontchartrain/